By Rongzom Chok Zangpo,Dominic Sur
Rongzom Chökyi Zangpo wrote this treatise within the 11th century in the course of the renaissance of Buddhism in Tibet that was once spurred by means of the inflow of latest translations of Indian Buddhist texts, tantras, and esoteric transmissions from India. For political and spiritual purposes, adherents of the “new colleges” of Tibetan Buddhism fostered by way of those new translations forged the older culture of lineages and transmissions as impure and decadent. Rongzompa composed the paintings translated the following for you to essentially and definitively articulate how Dzogchen was once greatly based on the big variety of sutric and tantric teachings espoused through the entire Tibetan colleges. utilizing the types of philosophic and linguistic analyses favorite through the hot faculties, he demonstrates that the good Perfection is certainly the fruits and maturation of the Mahāyāna, the nice automobile.
The relevant subject of the paintings is the thought of illusory visual appeal, for while one realizes deeply that each one appearances are illusory, one realizes additionally that every one appearances are in that appreciate equivalent. the belief of the equality of all phenomena is related to be the nice Perfection method of the trail, which frees one from either greedy at, and rejecting, appearances. in spite of the fact that, for these not able to stay without difficulty in the ordinary country, within the ultimate bankruptcy Rongzompa additionally describes how paths with attempt are incorporated within the nice Perfection approach.
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Entering the Way of the Great Vehicle: Dzogchen as the Culmination of the Mahayana by Rongzom Chok Zangpo,Dominic Sur