By Leger Grindon
Knockout: The Boxer and Boxing in American Cinema is the 1st book-length examine of the Hollywood boxing movie, a well-liked motion picture leisure because the Nineteen Thirties, that comes with such classics as Million greenback Baby, Rocky, and Raging Bull. The boxer stands along the cowboy, the gangster, and the detective as a personality that formed America's rules of manhood. Leger Grindon relates the Hollywood boxing movie to the literature of Jack London, Ernest Hemingway, and Clifford Odets; the impression of ring champions, rather Joe Louis and Muhammad Ali; and controversies surrounding masculinity, race, and sports.
Knockout breaks new flooring in movie style research through targeting the basic dramatic conflicts uniting either documentary and fictional movies with compelling social issues. The boxing movie portrays greater than the increase and fall of a champion; it exposes the physique to be able to show the spirit. now not easily a brute, the monitor boxer dramatizes conflicts and aspirations imperative to an American audience's event. This booklet gains chapters at the conventions of the boxing movie, the heritage of the style and its courting to recognized ring champions, and self-contained remedies of thirty-two person motion pictures together with a bankruptcy dedicated to Raging Bull.
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Extra resources for Knockout: The Boxer and Boxing in American Cinema
Knockout: The Boxer and Boxing in American Cinema by Leger Grindon